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	<title>Indie Cine &#187; Commentaries</title>
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	<description>Independent Movies</description>
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		<title>The Business of Indie</title>
		<link>http://indiecineblog.com/2008/09/03/the-business-of-indie/</link>
		<comments>http://indiecineblog.com/2008/09/03/the-business-of-indie/#comments</comments>
		<pubDate>Wed, 03 Sep 2008 04:53:11 +0000</pubDate>
		<dc:creator>dwhitney</dc:creator>
				<category><![CDATA[Commentaries]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Anthony Kaufman]]></category>
		<category><![CDATA[Peter Part]]></category>
		<category><![CDATA[TORONTO '08 | Assessing the Business Landscape as TIFF ]]></category>
		<category><![CDATA[Why Art House Movies are on the Endangered Species List]]></category>

		<guid isPermaLink="false">http://indiecineblog.com/?p=154</guid>
		<description><![CDATA[<a href="http://indiecineblog.com/2008/09/03/the-business-of-indie/"><img align="left" hspace="5" width="150" height="150" src="http://indiecineblog.com/wp-content/plugins/thumbnail-for-excerpts/tfe_no_thumb.png" class="alignleft wp-post-image tfe" alt="" title="" /></a>After mentioning Variety Editor Peter Part&#8217;s dire op-ed Why Art House Movies are on the Endangered Species List in an earlier post, and then mentioning how promising Good looked, a film premiering at the Toronto International Film Festival, I figured the following article would be of some interest. But as Anthony Kaufman mentions in his [...]


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			<content:encoded><![CDATA[<p>After mentioning Variety Editor Peter Part&#8217;s dire op-ed  <a href="http://indiecineblog.com/">Why Art House Movies are on the Endangered Species List</a> in an earlier post, and then mentioning how promising Good looked, a film premiering at the Toronto International Film Festival, I figured the following article would be of some interest.</p>
<p>But as Anthony Kaufman mentions in his article <em>TORONTO &#8217;08 | Assessing the Business Landscape as TIFF Gets Underway this Week</em>, &#8220;Myths die hard in the film business. But the fairytale that says an independent movie goes into a film festival, sparks a bidding war and gets sold for millions and millions of dollars is fading fast.&#8221;</p>
<p>The entire article, which can be <a href="http://www.indiewire.com/ots/2008/09/toronto_08_asse.html">read here</a>, focuses on how the distribution process works for independent film. Basically, movie buffs see a trailer or here some news for an unsigned film, and then read the reviews from the press who have seen it at a festival like that upcoming in Toronto. If the film is lucky, it will be picked up by a studio, and then released anywhere from a few theaters in New York and LA, to the golden ticket, a few thousand or more theaters across the country. Well according to Kaufman, things in the Indie marketplace may be changing. The article is an interesting read for any indie film lover curious about how the movies get from the factory to your plate.</p>


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		<title>The Olympics According to Ebert</title>
		<link>http://indiecineblog.com/2008/08/12/the-olympics-according-to-ebert/</link>
		<comments>http://indiecineblog.com/2008/08/12/the-olympics-according-to-ebert/#comments</comments>
		<pubDate>Tue, 12 Aug 2008 13:37:11 +0000</pubDate>
		<dc:creator>dwhitney</dc:creator>
				<category><![CDATA[Commentaries]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Bejing Olympics]]></category>
		<category><![CDATA[NBC]]></category>
		<category><![CDATA[Olympics]]></category>
		<category><![CDATA[Opening Ceremonies]]></category>
		<category><![CDATA[Roger Ebert]]></category>
		<category><![CDATA[Triumph of the Will]]></category>
		<category><![CDATA[Zhang Yimou]]></category>

		<guid isPermaLink="false">http://indiecineblog.com/?p=139</guid>
		<description><![CDATA[<a href="http://indiecineblog.com/2008/08/12/the-olympics-according-to-ebert/"><img align="left" hspace="5" width="150" src="http://indiecineblog.com/wp-content/uploads/2008/08/ceremony-thumb-320x1871.jpg" class="alignleft wp-post-image tfe" alt="" title="ceremony-thumb-320x1871" /></a>I have always thought of the Olympic opening ceremonies as a little overdramatic and dare I say cheesy. Well thanks to a 300 million dollar budget and the artistic vision of renowned Chinese film director Zhang Yimou, 2008&#8242;s Bejing ceremonies were legendary &#8211; despite the frequent flood warnings and technical difficulties interrupting the broadcast thanks [...]


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			<content:encoded><![CDATA[<p><a href='http://indiecineblog.com/wp-content/uploads/2008/08/ceremony-thumb-320x1871.jpg'><img src="http://indiecineblog.com/wp-content/uploads/2008/08/ceremony-thumb-320x1871.jpg" alt="" title="ceremony-thumb-320x1871" width="320" height="187" class="alignright size-full wp-image-141" /></a></p>
<p>I have always thought of the Olympic opening ceremonies as a little overdramatic and dare I say cheesy. Well thanks to a 300 million dollar budget and the artistic vision of renowned Chinese film director Zhang Yimou, 2008&#8242;s Bejing ceremonies were legendary &#8211; despite the frequent flood warnings and technical difficulties interrupting the broadcast thanks to my local NBC affiliate. But don&#8217;t listen to me, check out the commentary of film critic Roger Ebert on his blog  <a href="http://blogs.suntimes.com/ebert/2008/08/zhang_yimous_gold_medal.html#more">here</a><br />
In an insightful review, Ebert gives his take on &#8220;Certainly the most expensive theatrical spectacle in history,&#8221; which such  poignant statements as, &#8220;The closest sight I have seen to Friday night&#8217;s spectacle, and I mean this objectively, not with disrespect, is the sight of all those Germans marching wave upon wave before Hitler in &#8220;Triumph of the Will.&#8221;</p>


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